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由湖南局选送，芒果TV出品并制作，10分钟*16集，取景地为江苏省连云港市孔望山。通过神秘相机引发时空循环的奇幻设定，讲述主角亦然与程诺在无尽时空中探寻爱与记忆的故事。剧中深度融合地方文化元素，将连云港的山海奇观与历史文脉转化为叙事动力，既具备地域真实感，又通过细腻的情感刻画与独特的叙事节奏，拥有了打动人心的艺术感染力。。1900年的慕尼黑，野心勃勃的啤酒酿造商寇特·普兰克采用残忍手段，只为建造一个啤酒棚，在暴利的十月啤酒节上称霸。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。