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抗日战争时期，鲁南临城、枣庄一带的铁路线上活跃着一支游击队，队员在大队长刘洪、政委李正的领导组织下，配合主力部队给予了日军沉重的打击，被当地百姓亲切地称为“飞虎队”。 日军想方设法偷袭“飞虎队”，致使刘洪受伤，但刘洪因此得以被寡妇芳林嫂照料，二人成为伴侣。刘洪伤愈后，配合李正指挥作战，使日军遭受惨败。恼羞成怒的日军欲以肆意杀戮之法激怒刘洪，刘洪中计，准备在微山湖与日军展开正面交锋，幸得李正及时劝阻，“飞虎队”力量才得以保全。修整后的“飞虎队”将沿线日军悉数歼灭，但芳林嫂却在执行侦察任务时被捕……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。1939年初，陪都重庆，女大学生赵欣梦在回家途中被相貌、穿着和自己完全一样的日本女特务千代子绑架。千代子是大特务北条荣一名义上的独生女，也是赵欣梦幼时失散的孪生姐姐。千代子偷梁换柱的计划很快败露，获救后的赵欣梦主动请缨冒充千代子潜回北条荣一身边做卧底，以其人之道还制其人之身。赵欣梦在明为国民党军统上尉实为共产党的李汉正帮助下，杀死了北条。千代子在重庆大轰炸中成功逃回上海，决心复仇并夺回自己的身份，却面对了身份与情感的双重幻灭，举枪自尽。面对孪生姐姐的遗容，赵欣梦悲从中来，如果当初被抱走的是自己，那今天的命运就会完全不同。抗战胜利后，赵欣梦和李汉正一起前往苏北解放区加入共产党，组织上却决定让赵欣梦在国民党军统继续潜伏，以发挥更大的能量。。