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民国初年，军阀混战，军阀头领纷纷拉拢武林人士，作为武林仲裁人的柳白猿（宋洋 饰）也不能幸免，一步步被置于军阀争斗的漩涡中心。各路豪杰粉墨登场，混血美女二冬（王燕妮 饰）和绝世名伶月牙红（李呈媛 饰）出于不同的目的接近柳白猿，柳白猿纠缠于在两个女人之间，为爱所困，也为爱所害，当所有的阴谋真相大白之后，军阀的决战与两位武林高手的生死比武最终上演，成为民国武林的末世绝响。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。在妻子遭到残忍谋杀后，警探鲍勃试图渗透进一个邪教组织，以拯救他被绑架的女儿，并为死去的妻子报仇…。