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马可（郑伊健 饰）和妍（郑秀文 饰）是一对相恋多年的恋人，随着时间的推移，两人之间的感情逐渐走入了死角。为了改善两人的关系，马可和妍决定来一趟日本之旅，希望异国的风土人情能够令两人的爱情火花重新燃起。不幸的是，事与愿违，一场激烈的争吵令妍将马克独自丢在了异国他乡，而失落的马可则意外的邂逅了名叫嘉莹（邱淑贞 饰）的女孩，两人之间产生了一段浪漫的情愫。 回国后，马可和妍之间的嫌隙似乎消解了，秉着坦白从宽的理念，马可将自己和嘉莹之间的事情告诉了妍，没想到妍反应激烈提出了分手。之后没多久，马可竟然意外的与嘉莹重逢了，这一次，马可能否紧紧抓住这来之不易的缘分呢？。距离长海市「小棋王杯」象棋大赛还剩下３个月的时间，为了赢得此次大赛的胜利，各校纷纷紧锣密鼓的选拔参赛者；在高手群立的东方国小里，各棋手们的战斗心更是燃烧到最高点。 不过，无悔却对这传统游戏丝毫没兴趣，总是坐在教室角落发呆。直到有一天，五年级的赖章向他挑战，激发起无悔的战斗之心，决心要下好象棋。之后，无悔意外碰到棋界的传奇人物欧阳叔平，并且拜师学艺，于是每天放学后就去欧阳叔平家练习。 经过一番努力不懈，无悔打败了许多对手，终于顺利进入校内选拔赛，但因故却只能被选上为后补选手。 东方小学队参加了长海市小棋王杯的比赛，为大柱、小珊、赖章，无悔则为后补。经过一番奋战，第三局由于大柱腹痛无法进行比赛，无悔代替了大柱。无悔的对手是小车，而无悔与小车的对决也引起了北方小学队选手封平的注意。无悔由于受了欧阳叔平的教诲，在这场中大有长进，赢了对手小车，东方小学队进入了...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。