视频简介
Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。无论是小军犬也好,小家狗也罢,赤龙一样会调皮捣蛋。在军营内出生的军犬可不比地方上的家犬。军犬从它出生开始,如果各方面条件合格,那就只能带着它独有气势与军犬的荣誉,无条件地加入了保护人民财产,肩负军人责任的行列。而这个绿色的军营,对刚出生的赤龙来说,一切都是新鲜的。那绿色的草地,绿色的衣服,绿色的训练场,闪光的帽徽与肩章,都是它喜欢的对象。这也注定了,它的一生大半都要在这里度过。或者生老病死,或者老的时候,被人领养,或者为国捐躯。赤龙的先天条件不好,也许是和苏雷有缘,警犬基地主任让六班长苏雷照看赤龙。赤龙与战友合作,每次执行任务,虽然有惊无险,但它与战友搭档,勇猛无敌,化险为夷。赤龙感受到了一种特殊的满足,那就是军犬的荣誉。。
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